Live jazz with a Middle Eastern inspired menu

Pure Desmond [Jazz]

Pure Desmond [Jazz]

Doors at 7pm

Performance 8-10pm (with interval)

View Menu

View Seating Plan


Pure Desmond

Paul Desmond, the saxophonist who created one of the greatest world hits of jazz with his composition “Take Five” would have been 100 years old in 2024.

The jazz-group Pure Desmond takes this anniversary as an occasion to pay tribute to the life and music of this interesting and stylish man. This entertaining show tells the story of a sound conquering the world. The program is a tribute to significant works and timeless classics of the golden era of Cool Jazz. The focus is always on the music and aesthetics of Paul Desmond, who was a bon vivant and womanizer, tasty, elegant, modest, and known for his witty and subtle humour. His answer to the question how he developed his sound was: “I think I had it in the back of my mind that I wanted to sound like a dry Martini”.

Line up
Lorenz Hargassner – alto sax
Johann Weiss – guitar
Christian Flohr – bass
Sebastian Deufel – drums


Date

13 Mar 2025

Buy Tickets:

Ticket and Venue information:

  • You can request to be seated in ‘Dizzy’ (raked theatre), ‘Duke’ (side wall), ‘Billie’ (front of stage) or ‘Mingus’ (near piano) and we will do our best to allocate you to your chosen seats.
  • Though we can guarantee that you will have a table, we cannot guarantee exactly where, as we do our best to fulfil all customers requirements
  • Seating in ‘Ella’ or ‘Satchmo’ (by the windows) is allocated last, unless specifically requested. Please note, a few of these seats are restricted view
  • All seats are at a table or bar where you can order food and drink with table service
  • You can view a seating plan here

SPECIAL ACCESS NEEDS

  • Please email bookings@peggysskylight.co.uk to reserve a suitable seat for you and your party
  • We have an accessible toilet on the ground floor

CONCESSIONS

  • Concessionary tickets are for NUS card holders, those under 26 or in receipt of universal credit

Comments are closed.