Nicola Farnon Trio

Saturday 1st June 2019

7:00pm - 12:00am

  • Performance 8 till 10pm
  • Classic Jazz & Middle Eastern Meze Menu
  • 2 sets of 45 minutes with a 30 minute interval
  • Middle Eastern Meze is served until 9.30pm
  • Doors open free to the public free at 10pm each night after the show

"..making optimum use of their combined instrumental skills with integrity and joy" - Manchester jazz festival

Nicola is a regular on the Jazz Festival stage, Radio 3 Jazz Requests and has appeared on Radio 3 Jazz Line-up. She has played double bass and sung alongside many jazz greats including Dave Newton, Digby Fairweather, Jim Mullen, Bruce Adams, Alan Barnes, Eliane Elias and Courtney Pine.

Her programme covers a broad mix of well and lesser know jazz standards (Silver Lining, Day In Day Out, Beautiful Friendship, The Song Is You..) with strong influences from an eclectic range of singers and players including Ella Fitzgerald, Sarah Vaughan, Anita O'Day, Aretha Franklin, Oscar Peterson, Miles Davis, Tony Williams, Wynton Kelly, Stan Getz and Kenny Garrett. The arrangements are compelling, occasionally quirky and always staying true to their swinging roots. The set also includes some very well received melodic and extremely catchy originals written and arranged by Nicola Farnon.

With Nicola's trio you get a lot of musical talent for such a small band as her trio comprises voice, tenor sax, piano, double bass and drums. Piero Tucci - 'a jazzer's dream, as unpretentiously skillful on keys as he is on sax." Sandman magazine - and Phil Johnson 'impeccable craftsmanship' Jazzwise - combine with Nicola to give a performance that will startle you with it's genuine love of music and melody. They all aim to enjoy themselves fully, to entertain joyfully - and to swing yer socks off!

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Ticket booking

Nicola Farnon Trio

£10.00

Total £00.00

Download our Floor plan

  • All seating is allocated by our Maitre d', who will make every attempt to accommodate your first choice. This is not always possible, and for busy events your party may even be split between tables. Please email bookings@peggysskylight.co.uk
  • We respectfully ask that you consider fellow listeners and artists by silencing mobile phones and keeping noise to a minimum during performances

SEATED TICKET

  • These are the premium seats, each one having clear sight lines to the stage
  • You can request to be seated in Dizzy (raked theatre), Duke (side wall), Monk or Bird (bar stools), Billie (front of stage) or Mingus (near piano) and we will do our best to allocate you to your chosen seats on a first come, first served basis. (Though we can guarantee that you will have a table, we cannot guarantee exactly where, as we do our best to fulfill all customers requirements)
  • Each of these seats is at a table or bar where you can order food and drink with table service
  • You can also request to be seated in an area near the window (Ella or Satchmo). Please note, some tables have restricted view

STANDARD, SEATED IF AVAILABLE TICKET

  • Standard tickets are realeased once seated tickets have sold out
  • These are for any of the table seating not occupied by "seated" ticketholders, or for standing in the bar area behind the seated auditorium. We politely ask that you stand within this area so as not to obscure the view of the seated audience

GROUP BOOKINGS

  • We are able to cater for bookings of up to 22 people in the area 'Ella' and up to 12 in 'Satchmo'
  • We can also arrange for a standing buffet for more people on request
    Please email bookings@peggysskylight.co.uk to discuss your enquiry

SPECIAL ACCESS NEEDS
Please email bookings@peggysskylight.co.uk to reserve a suitable seat for you and your party
We have an accessible toilet on the ground floor

ADVANCE TICKETS/ON THE DOOR

  • Advance ticket sales finish at 18:30 on the day of the concert
  • There are often tickets available on the door, but we would advise purchasing online as events can sell out well in advance

Artist Enquiries

Interested in performing at Peggy’s? We’d love to hear from you.

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